Bach Bibliography Search Result

Author : Hill, Robert
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Hill, Robert	Style and Authenticity in Two Early Suites Attributed to J. S. Bach, BWV 832 and 833. A paper read at the 50th Annual Meeting of the American Musicological Society and the 7th Annal Meeting of the Society for Music Theory in Philadelphia, October 25-28, 1984. Respondent: Russell Stinson.	[p]AMS_Philadelphia			Oct 1984
	2.	Hill, Robert	Bach, Händel und Scarlatti in den Augen ihrer Zeitgenossen.	BachWoche_Ansbach			1985	31-44
	3.	Hill, Robert	'Der Himmel weiss, wo diese Sachen hingekommen sind': Reconstructing the Lost Keyboard Notebooks of the Young Bach and Handel.	[ce]BHSTercentenaryEssays			1985	161-172
	4.	Hill, Robert	'Echtheit angezweifelt'. Style and authenticity in two suites attributed to Bach.	EarlyM	13	2	May 1985	248-255
	5.	Hill, Robert	Die Herkunft von Bachs 'Thema Legrenzianum'. Kleine Beiträge. [BWV 574]	BachJb	72		1986	105-107
	6.	Hill, Robert Stephen	The Möller Manuscript and the Andreas Bach Book: Two Keyboard Anthologies from the Circle of the Young Johann Sebastian Bach. PhD diss., Harvard University, 1987. 2 vols. xvii, 754 Bl. [BWV 563; 570; 582; 724; 739; 820; 832; 833; 896; 917; 921; 949; 967]	diss.			1987	xvii, 754 Bl
	7.	Hill, Robert	Tablature versus Staff Notation: Or, Why Did the Young J. S. Bach Compose in Tablature?	[ce]ChurchStageStudio			1990	349-359
	8.	Hill, Robert (ed.)	Keyboard Music from the Andreas Bach Book and the Möller Manuscript. Foreword by Christoph Wolff. Cambridge MA: Department of Music, Harvard University, 1991. xlvii, 210p. (= Harvard publications in Music, 16)	HarvardPubM	16		1991	xlvii, 210p
	9.	Hill, Robert	In Stile Fantastico.	Bachfest	68	[Bremen]	1993	83, 91-92
	10.	Hill, Robert	Johann Sebastian Bach's Toccata in G Major BWV 916/1: A Reception of Giuseppe Torelli's Ritornello Concerto Form.	[cr]Rostock1990			1995	162-175
	11.	Hill, Robert	Nidan Kenban no Tankyu: 'Goldberg Hensokyoku' no Haikei. [In search of two-manual instrument: the background of the 'Goldberg' variations]	BachZenshu	12		Jul 1998	50-63
	12.	Hill, Robert	Vors Clavicimbal mit 2 Manualen': J. S. Bach en vogue? A paper read at American Bach Society conference (Yale University, New Haven, Connecticut, 24 April 1998)	[p]ABS_Yale			Apr 1998
	13.	Hill, Robert	'Vors Clavicimbal mit 2 Manualen': J. S. Bach en vogue? Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.	[p]BS_Dortmund			Jan 1998
	14.	Hill, Robert	Spohr in Berlin -- Musikgeschichte als Geschichte der Aufführungspraxis.	JbStaatInstMf	2000		2000	46-56
	15.	Hill, Robert	Strenge versus Freiheit, Notation versus Spielpraxis in der deutschen Tastenmusik um 1700. Paper read at Internationales Symposion und Konzerte 'Bach, Lübeck und die norddeutsche Musiktradition', Lübeck, 27-30 April 2000	[p]ISK_Luebeck			Apr 2000
	16.	Hill, Robert	The role of variation in the architecture of the early organ fugues of J.S. Bach.	VeröffGOrgelfreunde	173		2000	23-32	[fs]Musch65
	17.	Hill, Robert	'Streng, versus, Frei'. Ein Beitrag zur Analyse der frühen Tastenfugen von Johann Sebastian Bach.	[cr]Lübeck2000			2002	176-184
	18.	Hill, Robert	'Indessen führet er das Hauptthema galant ein': Handel's Keyboard Fugues and their 18th-century Audience.	GöttingerHändelBeitr	9		2002	73-85
	19.	Hill, Robert	Carl Reinecke's Performance of Mozart's Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation.	[ce]AboutBach			2008	171-180